Innovatrombone tests the Adams trombone model TB1.
At Innovatrombone we are delighted to continue testing trombones and to be able to share with our users the sensations we have experienced, this...
Innovatrombone tests the Stomvi trombone Elite model.
We recently visited the Stomvi musical instrument factory in Valencia (Spain) to test one of their trombones. Specifically, we have tested the Elite trombone...
Passages and trombone solos in the Spanish band repertoire.
From Innovatrombone we are pleased to present the latest work of trombonist Javier Escribano, professor of trombone at the Conservatorio Profesional de Música "Amaniel"...
Role ambiguity, a risk factor in the orchestra
When we talk about occupational risks we have to be clear about the different existing concepts.
We have "danger", "risk", "risk factor" and "severity". To...
Personality and the Instruments. A coaching article for musicians.
Si estás leyendo esto y eres músico, seguramente estarás al corriente de los muchos tópicos que existen alrededor del carácter y la personalidad de los...
Basic warm-up to begin study routines with our trombone by Innovatrombone.
From Innovatrombone we want to share with you a warm-up to start our daily study routines, aimed at trombonists of a medium-advanced level.
We have...
Adrián Nájera Coto collaborator of Innovatrombone presents us: Adrián Nájera´s Warm Up 1
From Innovatrombone we are pleased to present a new project by our collaborator Adrián Nájera Coto. Here we attach the video with his invitation:
https://youtu.be/mRu6c3GTE6s
Adrián...
La Interdisciplinariedad Artística en la Educación Musical
Antes de adentrarnos en el titulo de este pequeño artículo, vamos a ahondar en el término interdisciplinar, el cual ha sufrido un fuerte avance...
Study routines for elemental-intermediate trombone levels
Dear friends and trombonists of Innovatrombone, since a few
days ago the world has changed because of the Covid-19 and from here we...
Riesgos Psicosociales en orquestas y bandas profesionales
Alguien dijo allá por 1992, que en España aunque se estaban triplicado el número de orquestas no existía una tradición de cultura de orquesta...
